follow up on Are you creative

October 31, 2011  •  Leave a Comment

With Rifqui’s comment ( thank you kindly for bringing it up) on mind, maybe there are a plentitude of possible definitions of ‘creativity’. Is it about ‘what’ is creativity? Or a matter of degree; some people are more creative than others. If so, what is the measure of ‘more’ or ‘less’? Maybe it is concerning ourselves with a result that conforms to some specific pre-defined outcome, standard, who’s standard?
Let’s look at that early-morning wardrobe thing. Sure, it may not be new clothing, or clothing that you invented yourself, and we may have worn it many times before. When we consider, however, that specific morning, the specific mood we may be in, the weather, for a woman maybe the make-up she has or ran out of, and the many other variables in combination, we come up with new choices each day.
When does something move from being non-creative to being creative. Is there a line between, and if so where and how and who draws it? What is the difference between being creative and being inventive, as in creating something new. If Claude Monet, and Renoir, are considered the first impressionist painters, inventors of sorts and creative, how creative then do we consider all subsequent generations of impressionist painters.
And let ourselves not be misled to think creative must equal skillful! Doesn’t matter if you can’t photograph and print like Ansel Adams or Imogen Cunningham, or draw like Leonardo da Vinci, you can move a pencil across paper so you can draw. Even creatively as in inventive. Haphazardly scribble a bunch of wobbly circles and pretty much we can assume that there has never been an exact same scribble ever before. Is that creative as inventing something new? Absolutely. Is it creative as in skillful? Not necessarily. Is it creative as in a human being creating something? Absolutely. Do we like and admire and stand in awe of this drawing? Not likely but who cares, that exactly is what the point is not.

This is not to disregard actual work scenarios in which you are drawing, working, photographing, or inventing for a client or any other specific pre-determined purpose, after all, we got to make a living. Concerning yourself with the result-for-a-specific-purpose for whatever reason and intention is certainly a valid concern, though a whole other chapter not to do with ‘creativity’ in and of itself. Here I am rambling about the nature of the human condition being such that we can not but be creative, no matter how much we may tell ourselves we are not, and how that understanding may apply to and moves us, our minds, our actions, work, practices, and our awareness.

mizu wa mina   ne tatsuru yama no   fukasa kana    all sounds of streams   has faded   so deep the mountains  Haiku by Taneda Santooka (1882-19400, Japanese poet, photograph/ink-brush calligraphy in hentaigana scripthaiga051b-mizuwaminate-2-allsoundsofstreamsfaded-ph156a-mountainclouds-3-27x20

mizu wa mina ne tatsuru yama no fukasa kana - all sounds of streams has faded so deep the mountains - Haiku by Taneda Santooka (1882-1940), Japanese poet, photograph/ink-brush calligraphy in hentaigana script

This awareness is, as I see it, the central idea around which creativity becomes manifest. It is the mindfulness, attention, conscious intent, even in the least of activities, that make the creative quality apparent and will, almost inescapably, lead to a richer experience. If practiced persistently, it can also become part of learning the skill component of the process, so we can put it to purposeful use, too, if desired.

Not to force and belabor a point construed, quite coincidentally just a few days ago, I came across another photographer’s mention of his father having taught him that any activity done with passion and pride was an art. Be it sports, painting or sculpture, running a business or being a parent. No matter what it is, when done with passion and conviction, it is art. Great father, I’d say.

So when you go out to photograph whatever you photograph, free yourself from seeing the final picture in advance. ( I’ll do another post, shortly, on why it is important to visualize the final image in advance – Ha !  go figure). Instead of going through the routines of our daily chores, photographing the same subject yet another time, or even when copying something that already exists, we may appreciate that this very moment, no matter how familiar it may feel, actually has never been before.
No matter how many times we have done something in the past, what we do in each and every moment is yet again anew.

It appears to me that shying away from defining creativity in specific terms leaves more room for actual experiences of it.

may your day be creatively mindful
peter
www.crimsonbamboo.zenfolio.com/


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